Daylight Negative vs Pro Neg Hi
The same photograph, developed by the camera in both recipes. Drag the divider.
Every image is rendered by the camera itself and verified from its metadata. How this works
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Daylight NegativePro Neg Hi
Same photo, two recipes. Swipe a side to change that recipe, hold it to see it on its own, or tap to inspect up close.
Portrait, photographed by Cody Blue
The gallery is just getting started.
12 reference scenes so far, each developed on a real camera. Two ways in: a photograph everyone's recipes get developed on, or a recipe you made. Either one carries your name and your link on every comparison anyone makes with it.
The full recipe
11 settings differ, highlighted below.
| Setting | Daylight Negative | Pro Neg Hi |
|---|---|---|
| Film Simulation | Classic Negative | Pro Neg. Hi |
| Dynamic Range | 400 | 100 |
| Grain | Strong | Off |
| Grain Size | Large | Off |
| Color Chrome | Strong | Off |
| Color Chrome Blue | Strong | Off |
| White Balance | Daylight | Auto |
| WB Shift | R+3 B-5 | R0 B0 |
| Highlights | -2 | 0 |
| Shadows | +1.5 | 0 |
| Color | +2 | 0 |
| Sharpness | 0 | 0 |
| Noise Reduction | 0 | 0 |
| Clarity | 0 | 0 |
What separates these two recipes
Daylight Negative is built on Classic Negative and Pro Neg Hi on Pro Neg Hi: two different film simulations as the starting point. They differ in 11 settings: Film Simulation (Classic Negative vs Pro Neg. Hi), Dynamic Range (400 vs 100), Grain (Strong vs Off), Grain Size (Large vs Off), Color Chrome (Strong vs Off), Color Chrome Blue (Strong vs Off), and more.
The full settings sheet for both recipes is under the viewer above, differences highlighted. Every render is the photographer's single RAW file developed by a Fujifilm camera's own processor and verified against the camera's metadata. The pictures are the settings, nothing else.
Daylight Negative is by Lucas Costa (source). Pro Neg Hi is by Fujifilm (source).
Photos shot with Daylight Negative →·Photos shot with Pro Neg Hi →
More comparisons
More comparisons
- Classic Negative vs Provia / Standard
- Classic Chrome vs Classic Negative
- Acros vs Monochrome
- Classic Chrome vs Velvia / Vivid
- Classic Chrome vs Reala Ace
- Classic Chrome vs Astia / Soft
- Classic Chrome vs Provia / Standard
- Velvia / Vivid vs Classic Negative
- Velvia / Vivid vs Reala Ace
- Velvia / Vivid vs Astia / Soft
How this works
How this works
A photographer submits a RAW file. We connect a real Fujifilm camera over USB and have its processor develop that one file recipe by recipe, using the same in-camera engine that develops your photos when you shoot. Each render's settings are verified from the camera's own metadata before it's published.
Is this really the camera, or a software simulation?
Really the camera. Every image here is a JPEG developed by a Fujifilm camera's own processor. We send the photographer's RAW file to the camera over USB with a recipe's settings, and the camera develops it exactly as if it had been shot that way. No Lightroom, no presets, no emulation.
Is it the same photo for every recipe?
Yes. Each scene is one single RAW file, developed once per recipe. Everything that changes between two renders is the recipe: same light, same moment, same exposure.
How do you know a render actually matches the recipe?
Every developed JPEG carries the camera's own record of the settings used, written into its metadata. We read that back and verify it against the recipe before a render enters the gallery.
Why is a recipe missing on some scenes?
Physics, mostly. DR400 recipes need the shot to be taken at ISO 500 or higher, and DR200 at ISO 320 or higher; below that the camera refuses. A few recipes also use settings the USB conversion can't reproduce (like toned black-and-whites); those wait rather than render wrong.
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